![]() Well-born and beautiful, Crespi garnered attention among the jet set. Then there is her famed Z desk, from a mid-1970s series, which manages to be both stylish and humorous, looking like it’s ready to leap off the floor at any moment. She began work on her most iconic collection, Plurimi, in the late 1960s, and the series - including her Dama table, which plays on the themes of volume, light and adaptability that Crespi has explored throughout her career - flourished through the 1970s and early ’80s. ![]() After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Charles-Édouard "Le Corbusier" Jeanneret and Frank Lloyd Wright. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and who still produced furniture in her Milan studio until her death in 2017, it’s hard to believe that many of these highly functional pieces - modernist Rubik’s Cubes of materials, colors and ergonomics - were created decades ago.Īmong her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Clean-lined boxes that contain multilevel shelving. Sleek cubes barely suspended off the ground that transform into full-size dining tables. ![]() Bronze discs that open up like clamshells for storage and fold back in to become side tables.
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